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Gina works as a hair stylist for demanding and demeaning European owner Jorge Christophe (KEVIN BACON) who routinely takes credit for Gina's work and has no problem putting down lowly shampoo girl Lynn (ALICIA SILVERSTONE).

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The best they can do is play the roles of two actors who are failing to achieve chemistry because they're too busy trying to make sense of their lines. A hopelessly uncool business manager, Reg (Rafe Spall), joins the tour in New Orleans with a mandate to curtail expenses.

He and his crew abandoned ship after becoming ice-bound and eventually perished in the Arctic wastelands.

Meanwhile, hundreds of miles south-east of the expedition, Rae had found the sought-after channel that linked the sea trading route across North America.

"Roadies," Showtime's new drama about the hardworking employees of a rock band's arena tour, rolls onto TV this Sunday with a long list of problems. In the third episode, "The Office's" Rainn Wilson turns up as a stereotypically self-important online music critic whose opinions are cruel and yet possibly correct - almost as though "Roadies" is belatedly inoculating itself against reviews like this one. MOST READ ENTERTAINMENT NEWS THIS HOURThis dud happens to come from filmmaker Cameron Crowe, whose credits include his memorable 1982 screenwriting debut, "Fast Times at Ridgemont High," and his writing/directing of 1996's "Jerry Maguire." Crowe has been behind the scenes at some of the greatest rock tours ever, dating back to the articles he first wrote for Rolling Stone as a teenage journalist - a life story that served as the basis for one of his better movies, 2000's "Almost Famous." But Crowe has also gained a reputation for unevenness (to say the least), recently delivering movies so unremarkable and flat that he could have slid them under a door."Roadies," which also bears a producing credit for J. Abrams, immediately plunges us into the world of the Staton-House Band (yes, that's what they're called) and the usually unseen workers who make sure the band's tour moves on schedule.

It's one of those overwrought shows where people yell "And ANOTHER thing! Think of Aaron Sorkin's "The Newsroom," only twice as insufferable and slightly less comprehensible.

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